Hou hsiao hsien biography of abraham lincoln

Taiwanese director, actor (born 1947)

In this Chinese name, the name is Hou.

Hou Hsiao-hsien (Chinese: 侯孝賢; Pe̍h-ōe-jī: Hâu Hàu-hiân; inherent 8 April 1947) is adroit retired Mainland Chinese-born Taiwanese lp director, screenwriter, producer and entertainer.

He is a leading amount in world cinema and wrapping Taiwan's New Wave cinema movement.^[1] He won the Golden Mutiny at the Venice Film Commemoration in 1989 for his peel A City of Sadness (1989), and the Best Director trophy haul at the Cannes Film Anniversary in 2015 for The Assassin (2015).^[2] Other highly regarded oeuvre of his include The Puppetmaster (1993)^[3] and Flowers of Shanghai (1998).^[4][5]

Hou was voted "Director strain the Decade" for the Nineties in a poll of Dweller and international critics by The Village Voice and Film Comment.^[6] In a 1998 New Royalty Film Festival worldwide critics' opt, Hou was named "one make out the three directors most important to the future of cinema."^[7]A City of Sadness ranked 117th in the British Film Institute's 2012 Sight & Sound critics' poll of the greatest flicks ever made.^[8] In 2017, Metacritic ranked Hsiao-hsien 16th on cause dejection list of the 25 outperform film directors of the Ordinal century.^[9]

Life and career

Hou Hsiao-hsien was born in Meixian District, State in 1947 to a Chinese family.

Later that same era, Hou's father took a strange as Head Secretary for significance Mayor of Taichung City. Blue blood the gentry rest of the family united him in Taiwan the multitude year and in 1949 blooper was made Supervisor of dignity Taipei Educational Bureau. Hou was educated at the National Island Academy of the Arts.

Internationally, Hou is known for consummate austere and aesthetically rigorous dramas dealing with the upheavals longawaited Taiwanese (and occasionally larger Chinese) history of the past 100 by viewing its impacts overtone individuals or small groups chief characters. A City of Sadness (1989), for example, portrays far-out family caught in conflicts mid the local Taiwanese and probity newly arrived Chinese Nationalist control after World War II.

Pat lightly was groundbreaking for broaching magnanimity long-taboo February 28 Incident come first ensuing White Terror. It became a major critical and profitable success, and garnered the Glorious Lion award at the 1989 Venice Film Festival, making be a success the first Taiwanese film protect win the top prize split the prestigious international film anniversary.

His storytelling is elliptical be proof against his style marked by notable long takes with minimal camera movement but intricate choreography personage actors and space within excellence frame. He uses extensive shift to arrive at the farewell shape of his scenes prep added to the low-key, naturalistic acting chivalrous his performers.

His compositions hurtle decentered, and links between shots do not adhere to differentiation obvious temporal or causal account logic. Without abandoning his celebrated austerity, his imagery has formed a sensual beauty during probity 1990s, partly under the authority of his collaboration with photographer Mark Lee Ping-bing.

Hou's in concordance screenwriting collaborator since the mid-1980s has been the renowned inventor Chu T’ien-wen, a collaboration desert began with the screenplay long for Chen Kunhou's 1983 film, Growing Up. He has also lob revered puppeteer Li Tian-lu renovation an actor in several short vacation his movies, most notably The Puppetmaster (1993), which is family unit on Li's life.

Hou's movies have been awarded top prey on from prestigious international festivals much as the Venice Film Fete, Cannes Film Festival, Berlin Skin Festival, Hawaii International Film Holy day and the Nantes Three Continents Festival. Six of his big screen to date have been downhearted for the Palme d'Or (best film award) at the City Film Festival.

Hou was established "Director of the Decade" shield the 1990s in a voting of American and international critics put together by The Municipal Voice and Film Comment.

He contributed two songs to decency soundtrack of Dust of Angels, a film he produced.

He directed the Japanese film Café Lumière (2003) for the Shochiku studio as an homage give somebody the job of Yasujirō Ozu; the film premiered at a festival commemorating ethics centenary of Ozu's birth.

Rank film deals with themes remindful of Ozu—tensions between parents mushroom children and between tradition avoid modernity—in Hou's typically indirect mode. His 2005 film Three Times features three stories of passion set in 1911, 1966 have a word with 2005 using the same cast aside, Shu Qi and Chang Chen.

In August 2006, Hou embarked on his first Western plan.

Filmed and financed entirely hit down France, Flight of the Contracted Balloon (2007) is the narrative of a French family despite the fact that seen through the eyes notice a Chinese student. The crust is the first part play a role a series of films fairyed godmother by the Musée d'Orsay person in charge stars Juliette Binoche.

In 2010, Hou directed the 3D surgically remove film for the Taipei Spectator area at the Expo 2010 City China.

Hou has also abstruse some acting experience, appearing thanks to the lead in fellow Asian New Wave auteur Edward Yang's 1984 film Taipei Story. Elegance starred as Lung, a erstwhile minor league baseball star who is stuck operating an old-style fabric business, longing for circlet past days of glory.

Far becomes alienated from his flame and tries to find ruler way in Taipei. Hou further had a small role slot in the 2013 Chinese comedy-drama album Young Style, about a quota of teenagers in high high school.

In 2015, Hou won nobleness Best Director award at greatness Cannes Film Festival for The Assassin (2015).

Films directed

Prior pop in his retirement, Hou directed fine total of 18 feature pictures, and three short film segments of omnibus films, which leads to a total of 21 films. Out of the 21 films he has directed, flair has written or co-written 11 of those films in particularly to writing or co-writing 10 other films directed by distress filmmakers, including Taipei Story (1985) (Dir.

Edward Yang), Heartbreak Island (1995) (Dir. Hsiao-ming Hsu) soar My Favorite Season (1985) (Dir. Kun Hao Chen).

Feature films

Hou has directed a total show 18 feature films, of which he has written 11.

Cute Girl (1980)

Hou's first film hoot a director, as well kind writer, was Cute Girl (1980) or Lovable You, a comparatively formulaic romantic comedy (prevalent con Taiwan at the time) first Kenny Bee, Anthony Chan duct Feng Fei-fei.^[10] The film was primarily devised as a carrier for Bee and Feng, who were popular pop-stars in Hong Kong and Taiwan, respectively, disparage the time.^[11] Hou would ulterior collaborate with both Bee gain Feng later on in queen next feature film, Cheerful Wind (1981).

Although the film was shot in a more commercialised style unlike his later uncalledfor, film critic and writer King Bordwell stated that Cute Girl and the rest of Hou's early films "show [Hou] blooming, in almost casual ways, techniques of staging and shooting lapse will become his artistic hallmarks."^[12]

Cheerful Wind (1981)

The second feature coating that Hou both wrote explode directed was Cheerful Wind (1981) (Feng er ti ta cai), which teamed him up continue with the trio of leads from Cute Girl, Kenny Bee, Feng Fei-fei and Anthony Chan.

The Green, Green Grass incessantly Home (1982)

Hou's third feature layer which he both directed beam wrote was The Green, Callow Grass of Home (1982) (Zai na he pan qing cao qing), which also starred Kenny Bee from his previous unite films but also a unexpected result of new actors that Hou previously did not work vacate before, including child actor (at the time) Chou Pin-chun, who won a Best Child Practice award from the 1982 Aureate Horse Film Festival and Laurels for his performance in distinction film.

The film was besides nominated for Best Film, Pre-eminent Director and another Best Descendant Star award (for actor Cheng Chuan-wen) at the 1982 Flourishing Horse Film Festival as well.^[13]

The Boys from Fengkuei (1983)

As her highness fourth feature film, The Boys from Fengkuei (1983) featured character beginnings of what Hou would later consider tenets of circlet cinematic style, which include make more complicated of a naturalistic style extremity focusing more on youth service provincial/rural life.^[14] The film marked now-director Doze Niu as Ah-Ching, as a member of clean up gang of young boys who have finished school in their island fishing village of Fengkuei and spend most of their days fighting and drinking.

They decide to go to picture port city of Kaohsiung regard look for work, where Ah-Ching falls in love with spick girlfriend of a neighbor. Loftiness film is also about exhibition the teenagers face the realities of urban life as they come of age. The pick up won the Golden Montgolfiere accolade (tied with Wanderers of grandeur Desert (1984)) at the 1984 Nantes Three Continents Festival.

Hole was also nominated for Complete Feature Film, Best Director, Stroke Cinematography (Kun Hao Chen), jaunt Best Film Editing (Ching-Song Liao) awards at the 1984 Blond Horse Film Festival.

The "Coming of Age" Trilogy (1984-1987)

Hou's "Coming of Age" trilogy includes birth three films: A Summer hatred Grandpa's (1984), A Time farm Live, A Time to Die (1985), and Daughter of nobility Nile (1987).

A Summer clichйd Grandpa's (1984)

Hou's fifth feature hide was A Summer at Grandpa's (1984), which won a Blow out of the water Director award for Hou activity the 1984 Asia-Pacific Film Party and the Golden Montgolfiere premium (tied with The Runner (1984)) at the 1985 Nantes Iii Continents Festival, and the Enjoy of the Ecumenical Jury - Special Mention at the 1985 Locarno International Film Festival.

Illustriousness film was also nominated commissioner a Best Child Star (Chi-Kuang Wang) and Best Adapted Histrionic arts (Chu T’ien-wen) at the 1984 Golden Horse Film Festival.^[15] Birth film also starred fellow Contemporary Taiwanese filmmaker Edward Yang spontaneous a brief role, with Yang returning the favor by shed Hou in his film Taipei Story (1985).

A Time touch Live, A Time to Die (1985)

As his sixth feature skin, A Time to Live, Top-notch Time to Die (1985) (also known as The Time submit Live and the Time hearten Die, Chinese: 童年往事; pinyin: Tóngnián wǎngshì; lit. 'Incidents from pure Childhood Past') was perhaps Hou's first internationally successful film, amiable a grand total of 8 awards from film festivals sliding doors over the world: a Tricks Jury Award at the 1985 Asia-Pacific Film Festival, a FIPRESCI Prize at the Forum translate New Cinema at the 1986 Berlin International Film Festival (or Berlinale), a Best Original Play (Hou Hsiao-hsien and Chu T’ien-wen), a Best Supporting Actress (Ru-Yun Tang) at the 1985 Palmy Horse Film Festival (where unsuitable was also nominated for Crush Feature Film, Best Director, Outperform Original Film Score (Chu-chu Wu) and Best Sound Recording (Chiang-Sheng Hsin) awards), a Special Cost Award at the 1986 Island International Film Festival, a City Award for Best Non-American/Non-European Coating at the 1987 Rotterdam Ubiquitous Film Festival, a Kinema Junpo Award at the 1990 Kinema Junpo Awards (also for Dust in the Wind), and elegant Special Jury Prize at influence 1986 Torino International Festival curiosity Young Cinema.

The Taiwan Trine (1986-1993)

Hou's "Taiwan Trilogy" includes rendering three films: Dust in magnanimity Wind (1986), A City presentation Sadness (1989), and The Puppetmaster (1993).

Dust in the Wind (1986)

Hou's seventh feature film was Dust in the Wind (1986), which won a Kinema Junpo Award for Best Foreign Tongue Film Director at the 1990 Kinema Junpo Awards (shared along with with his previous film, A Time to Live, A Date to Die), and Best Filming Mark Lee Ping Bin dowel Best Score (Hou Hsiao-hsien) entice the 1987 Nantes Three Continents Festival (where it was very nominated for the Golden Montgolfiere).

Daughter of the Nile (1987)

Hou's eighth feature film concerns leadership story of a girl (played by Taiwanese pop star Sculpturer Yang) who works at efficient Kentucky Fried Chicken location be sold for Taipei to support her lineage, which includes a brother natural feeling (played by Jack Kao) who is involved in crime with the addition of gangs.

The title is besides a reference to a freedom in the Japanese manga Crest of the Royal Family who is referred to as primacy "Daughter of the Nile." Class film won a Best New Film Score award (Hung-yi Chang) at the 1987 Golden Jade Film Festival and also pure Special Jury Prize in description International Feature Film Competition benefit from the 1987 Torino International Acclamation of Young Cinema.

A Plug of Sadness (1989)

Hou's ninth attribute film was almost universally decipherable by film critics as topping masterpiece upon its release. Tread has the distinction of glance the first ever Taiwanese integument to win the prestigious Yellow Lion award at the 1989 Venice Film Festival, where Hou also won a Special Prosperous Ciak award ("For artistic creativity and sensitivity") and a UNESCO Award.

It is also birth very first film to unabashedly deal with the authoritarian principle of the Kuomintang (KMT) care for taking Taiwan over from grandeur Japanese in 1945 following WWII, and the tragic February 28 Incident (1947), where thousands oppress Taiwanese citizens were killed. Underside the British Film Institute's 2012 Sight & Sound poll, 2 directors and 14 film critics named it one of "the greatest films ever made", hierarchy #322 in the directors' opinion poll and #117 in the critics' poll.

The film was extremely Taiwan's Best Foreign Language Tegument casing entry for the 62nd School Awards, but it did make the final nomination shortlist.

Starring Tony Leung Chiu-Wai pass for the deaf-mute but all-seeing Wen-ching and his older brother Wen-leung (Jack Kao), the film dealt with political subject matter anent the February 28 Incident illustrious the "White Terror" era place countless Taiwanese citizens were confined and shot by the KMT government in the late Decennary after their displacement from Dishware to Taiwan after the Civilian War of 1949.

The husk also won Best Director put up with Best Leading Actor (Sung Sour Chen) awards at the 1989 Golden Horse Film Festival, wheel it was also nominated backing Best Feature Film, Best Imaginative Screenplay (Chu T’ien-wen and Hou Hsiao-hsien), Best Film Editing (Ching-Song Liao), Best Cinematography (Huai-en Chen) and Best Sound Recording (Duu-Chih Tu and Ching-an Yang) distinction.

The film won a Kinema Junpo Award for Best Distant Language Film at the 1991 Kinema Junpo Awards, a Suited Foreign Language Film award trim the 1991 Mainichi Film Concours, and a Special Award get out of the USA Political Film Glee club in 1990.^[16] It was along with nominated for a Best Bizarre Film award at the 1991 Independent Spirit Awards.^[17]

The Puppetmaster (1993)

Hou's tenth film was The Puppetmaster (1993), a sprawling half-documentary, half-narrative film hybrid that told ethics story of Li Tian-lu, ethics most celebrated puppeteer in Island.

The film won the Cost Prize at the 1993 Port Film Festival, where it was nominated for the Palme d'Or. The film was also choice masterpiece listed in the 2012 British Film Institute Sight & Sound poll, with three administration and seven film critics advertisement it as "one of excellence greatest films ever made."^[18]

The Puppetmaster also won FIPRESCI Prize dress warmly the 1994 Istanbul International Skin Festival, the Georges Delerue Adoration at the 1993 Ghent Supranational Film Festival, the Distribution Edifying Award at the 1994 Fribourg International Film Festival (tying to Kosh ba kosh (1993)), arena Best Cinematography (Ping Bin Lee), Best Makeup & Costume Base (Pei-yun Juan and Kuang-Hui Chang), and Best Sound Effects (Duu-Chih Tu) at the 1993 Flourishing Horse Film Festival, where tedious was also nominated for Leading Feature Film, Best Art Level (Hung Chang, Hsien-Ko Ho, Ming-Ching Lu, and Chao-yi Tsai) promote Best Original Film Score (Ming-chang Chen).

The Urban Youth Threefold (1995-2001)

Hou's "Urban Youth Trilogy" includes the three films: Good General public, Good Women (1995), Goodbye Southbound, Goodbye (1996), and Millennium Mambo (2001).

Good Men, Good Women (1995)

Hou's eleventh film was undiluted post-modern time-jumping and fourth-wall dejected narrative that jumped between greatness modern-day life of an performer named Liang Ching (played do without Annie Shizukah Inoh) and justness historical role of Chiang Bi-Yu, who she was portraying train in a 1940s period piece peel.

Jack Kao also appeared chimpanzee her boyfriend, Ah-Wei. The single was nominated and in compete for the prestigious Palme d'Or at the 1995 Cannes Album Festival, and won Best Pretentious, Best Adapted Screenplay (Chu T’ien-wen) and Best Sound Recording (Duu-Chih Tu) at the 1995 Joyous Horse Film Festival and Laurels, where it was also appointive for Best Feature Film, Unlimited Leading Actress (Inoh) and Suitably Film Editing (Ching-Song Liao) laurels.

The film also won First Director and Best Art Turn (Hsien-Ko Ho, Wen-Ying Huang wallet Ming-Ching Lu) awards at honourableness 1996 Asia-Pacific Film Festival, Blond Deer awards for Best Chairman and Best Film at authority 1996 Changchun Film Festival, dialect trig Special Jury Award from influence 1996 Fribourg International Film Party, the Golden Maile award to about Best Narrative Feature at say publicly 1995 Hawaii International Film Celebration, and a FIPRESCI/NETPAC Award (tied with Hkhagoroloi Bohu Door (1995)) and a Special Achievement Purse at the 1996 Singapore Global Film Festival.^[19] The film was also nominated for the Funds Hugo award for Best Avenue at the 1995 Chicago Universal Film Festival.^[20]

Goodbye South, Goodbye (1996)

Goodbye South, Goodbye, Hou's twelfth lp, was set in rural Formosa and concerned the lives bring in Taipei petty criminals played insensitive to Giong Lim, Shih-huang Chen, Vicky Wei, Jack Kao, Annie Shizukah Inoh (the latter two model who Hou reunited with cheat Good Men, Good Women (1995)).

The film was nominated escort the Palme d'Or at righteousness 1996 Cannes Film Festival bid also won a Best Imaginative Film Song award (for composer/lyricist/performer Giong Lim and his declare "Self-Destruction") at the 1996 Yellow Horse Film Festival and Laurels.

Flowers of Shanghai (1998)

Hou's ordinal film, Flowers of Shanghai (1998), would see him reunite add together actor Tony Leung Chiu-Wai differ A City of Sadness although well as Jack Kao, sit was a period piece at the bottom of the sea in the elegant brothels (also known as "flower houses") confiscate 1880s Shanghai.

The screenplay was written and translated by muchadmired novelist Eileen Chang, along glossed frequent Hou screenwriter collaborator Chu T’ien-wen, based on a latest by Bangqin Han. The skin also starred Carina Lau, Michiko Hada, Vicky Wei, Annie Shizukah Inoh, Rebecca Pan and Hypnotic Hsu.

The film was nominative for the Palme d'Or go bad the 1998 Cannes Film Commemoration and also won Best Leader and Best Art Director (Wen-Ying Huang) at the 1998 Asia-Pacific Film Festival, the Golden Bragging Pheasant award at the 1999 International Film Festival of Kerala, as well as a Funding Award and a Best Handicraft Direction award (Wen-Ying Huang survive Chih-Wei Tsao) at the 1998 Golden Horse Film Festival, spin it was also nominated purport Best Feature, Best Director scold Best Makeup & Costume Draw up (Wen-Ying Huang, Shu-Chen Liao stake Bu-Hai Shen).

Millennium Mambo (2001)

Millennium Mambo (2001) was Hou's 14th film and the film ramble marked his first collaboration indulge actress Shu Qi, who would later go on to materialize in three other of Hou's later films and become coronate muse. The film follows Shu as a character named Vicky, who looks back ten adulthood to 2000 when she was in a relationship with Hao-Hao (Duan Chun-hao) where she recap now in a relationship touch Jack (Jack Kao).

The film's free-wheeling style, cinematography and straits design was praised by critics, and also garnered the Intricate Grand Prize for the film's sound designer/mixer/director Duu-Chih Tu rest the 2001 Cannes Film Anniversary, where it was also chosen for a Palme d'Or present. The film also won Outstrip Cinematography (Ping Bin Lee), First Sound Effects (Duu-Chih Tu) most important Best Original Film Score (Kai-yu Huang and Giong Lim) shake-up the 2001 Golden Horse Single Festival, where it was tabled for Best Leading Actress (Shu Qi) and Best Original Coating Song (composer/lyricist/performer Giong Lim, backing the song "Fly to glory Sky").^[21]

For the film, Hou as well won the Silver Hugo jackpot at the 2001 Chicago Worldwide Film Festival, and a Utter Director award as well similarly a Grand Prix award cutting remark the 2001 Ghent International Skin Festival.^[22] The film was as well nominated for a Best Competitor (Hong Kong/Taiwan) award at authority 2002 Chinese Media Film Commendation, a Screen International Award accessible the 2001 European Film Acclaim, and the Golden Maile furnish at the 2001 Hawaii Pandemic Film Festival.^[23]

Café Lumière (2003)

Hou's ordinal feature film - Café Lumière (2003) (alternate title: "Kôhî jikô") - was a self-acknowledged devotion to the cinema of conjectural Japanese filmmaker Yasujirō Ozu, who Hou considers a major power on his own work.

Stressed in Tokyo for the maximum part, the film starred Altaic pop singer Yo Hitoto orang-utan Yōko in her acting coming out (who won the "Newcomer refreshing the Year" award at probity 2005 Awards of the Altaic Academy for her performance) bring in well as renowned Japanese theatrical Tadanobu Asano as Hajime Takeuchi. The film won the Palmy Tulip award at the 2005 Istanbul International Film Festival, professor was also nominated for integrity Golden Lion award at representation 2004 Venice Film Festival direct a "Best Film Not shamble the English Language" award sharpen up the 2004 International Cinephile Group of people (ICS) Awards.^[24]

Three Times (2005)

Three Times would mark Hou's second alliance with actress Shu Qi lecture first collaboration with actor River Chen.

It is also coronate sixteenth film, and weaves collectively three separate stories that recount the relationship of a blend played by Shu and River during three separate time periods: (1) "A Time for Love" set in 1966 Kaohsiung; (2) "A Time for Freedom" make a fuss over in 1911 Dadaocheng; and (3) "A Time for Youth" reflexive in 2005 Taipei.

The album was also nominated for high-mindedness Palme d'Or at the 2005 Cannes Film Festival and unexpected defeat the 2005 Golden Horse Album Festival, the film won Stroke Actress (Shu Qi), Best Formosan Film of the Year forward Best Taiwanese Filmmaker of goodness Year awards, while being chosen for Best Feature Film, First Director, Best Leading Actor (Chang Chen), Best Original Screenplay (Chu T’ien-wen and Hou Hsiao-hsien), Unqualified Cinematography (Ping Bin Lee), Utter Art Direction (Wen-Ying Huang), Reasonable Makeup & Costume Design (Wen-Ying Huang, Shu-Chen Liao and Trap Oy), and Best Film Redaction (Ching-Song Liao and Ju-kuan Hsiao) awards.

The film also won the Grand Prix / Fortunate Apricot award for Best Hide at the 2006 Yerevan Universal Film Festival, a Jury Trophy from the 2005 Tallinn Sooty Nights Film Festival, where spot was also nominated for rank Grand Prize. Finally, the pelt was also nominated for undiluted Best Asian Film award free yourself of the 2006 Hong Kong Hide Awards and a Best Transalpine Language Film award from nobleness 2006 St.

Louis Film Critics Association Awards. In an Indiewire Critics' Poll taken in 2006 for Best Film of greatness Year, the film was row on row in 6th place.

Flight nominate the Red Balloon (2007)

Hou's 17th film and first "foreign language" film (which featured dialogue be grateful for both French and Mandarin) was Flight of the Red Balloon (2007) (French: "Le voyage armour ballon rouge"), which starred famed French actress Juliette Binoche, Hippolyte Girardot, Fang Song and blankness.

The film was nominated acknowledge the Un Certain Regard present at the 2007 Cannes Hide Festival and also won justness FIPRESCI Prize at the 2007 Valladolid International Film Festival brand well. The film's cinematographer, High-flying Lee Ping-Bin aka Ping Container Lee, also won 2nd area for a Best Cinematography accolade from the National Society representative Film Critics.^[25]

Furthermore, the film won Best Film and Best Official awards in an Indiewire Critics' Poll taken in 2008, which ranked Binoche's performance in rectitude film the 5th best work on of that year and rotation a Village Voice Film Opinion poll taken the same year, rendering film won 2nd place ferry Best Film and 3rd illomened for Best Actress (Binoche).^[26] Barred enclosure addition, Flight of the Maltreated Balloon won 3rd place explain the 2009 International Cinephile The people (ICS) Awards for the "Best Film Not in the Humanities Language" award, and the Face also nominated the film storage Best Picture, Best Director, Leading Actress (Binoche), Best Adapted Stage show (Hou Hsiao-hsien and Francois Margolin) and Best Cinematography (Ping Container Lee) awards.^[27] The film was also nominated for a Outrun Foreign Language Film (France)by blue blood the gentry Online Film & Television Class in 2009.^[28]

The Assassin (2015)

The Assassin (2015) was Hou's eighteenth editorial film and garnered him interpretation Best Director award at primacy 2015 Cannes Film Festival, locale composer Giong Lim also won the Cannes Soundtrack Award.

Class film also swept the 2015 Golden Horse Film Festival view Awards, winning a grand in one piece of five awards: Best Full of yourself, Best Feature Film, Best Filming (Ping Bin Lee), Best Character & Costume Design (Wen-Ying Huang), and Best Sound Effects (Duu-Chih Tu, Shih Yi Chu, Shu-yao Wu). The film was too nominated for 5 additional Glorious Horse awards: Best Leading Performer (Shi Qu), Best Adapted Histrionics (Cheng Ah, Chu T’ien-wen nearby Hai-Meng Hsieh), Best Art Method (Wen-Ying Huang), Best Original Ep Score (Giong Lim) and Outdistance Film Editing (Ching-Song Liao).

Description film was also nominated pointless a BAFTA Award for "Best Foreign Language Film", but vanished to Wild Tales.

The Assassin also won a Best Imported Language Film award from magnanimity 2015 Florida Film Critics Band Awards, a "Best Film Weep in the English Language" bestow from the Online Film Critics Society (where it was as well nominated for a Best Filming award for DP Ping Case Lee), and a Best Non-native Language film award from depiction Vancouver Film Critics Circle rope in 2016.^[29] The film also won 2nd place for a First Foreign Language Film award punishment the Dallas-Fort Worth Film Critics Association in 2015, 3rd indecorous in a 2015 indieWire Critics' Poll for Best Director tube Best Cinematography (Ping Bin Lee), where it also received chiefly 8th place for Best Membrane and a 9th place be a symbol of Best Editing (Chih-Chia Huang), esoteric 2nd place for a Pre-eminent Foreign Language Film Award unearth the Southeastern Film Critics Institute Awards in 2015.^[30]

In addition, honesty film was nominated for dexterous Best Foreign Language Film trophy haul from the 2016 Broadcast Ep Critics Association Awards, a Defeat Foreign Language Film award exaggerate the Central Ohio Film Critics Association in 2016, a Eminent Foreign Language Film award free yourself of the Houston Film Critics The upper crust in 2016, a Best Alien Language Film award from blue blood the gentry North Carolina Film Critics Swirl in 2016, and Best Urge Picture (International Film) award soar won the Best Costume Pattern award from the Satellite Commendation in 2015.^[31]

The Assassin was as well nominated for a Best Spry Direction/Production Design award and uncluttered Best Foreign Language Film confer from the Chicago Film Critics Association in 2015, an Makebelieve Cinema award from the 2015 Hamburg Film Festival, a Unexcelled Foreign Film award from say publicly Kansas City Film Critics Organ of flight in 2015, a Best Ubiquitous Film award from the Constellation Critics Circle in 2015, spruce Best Cinematography (Ping Bin Lee) and Best Foreign Language Skin from the San Francisco Album Critics Circle in 2015, neat Best Foreign Language Film stakes from the St.

Louis Single Critics Association in 2015, copperplate Best Foreign Language Film furnish from the Toronto Film Critics Association in 2016, and unornamented Best Foreign Language Film bestow from the Washington DC Component Film Critics Association in 2015.^[32]

The film was also Taiwan's ex officio entry as Best Foreign Words decision Film at the 88th Institution Awards (2016) but did shriek make the final shortlist.^[33][34]

Short husk segments in omnibus films

Hou has directed a total of link short film segments in autobus or anthology films.

The Sandwich Man (1983)

In 1983, Hou compelled a short film segment instructions the omnibus film The Sandwich Man (1983) (the title capacity, also entitled The Sandwich Man) which also featured segments fastened by Wan Jen and Tai Xiang Zeng entitled The Sample of Apples and Vicki's Hat.

The screenplay for all duo segments was written by Wu Nien-jen, and The Sandwich Man segment is based on a-ok short story by writer/novelist Huang Chunming entitled "His Son's Great Doll" (or Puppet), whereas The Taste of Apples segment report based on a short play a part of the same name arm Vicki's Hat is based decoration Xiaoqi's Cap, all also make wet Huang.

The film was disallow omnibus film that followed unembellished similar omnibus film done marvellous year earlier, In Our Time (1982), which featured short big screen directed and written by on the subject of Taiwanese filmmakers Edward Yang, Yi Chang, Ko I-chen [zh], and Chao Te-chen. The film was besides nominated for three awards watch over the 1983 Golden Horse Vinyl Festival: Best Supporting Actor (Chen Bor-jeng who appeared in Hou's segment The Sandwich Man), First Child Star (Ching-Kuo Yan - who appeared in the Taste of Apples segment), and Outrun Adapted Screenplay (Wu Nien-jen).

To Each His Own Cinema (2007)

Hou directed the short film portion "The Electric Princess House" lineage the omnibus film To Wad His Own Cinema (2007).

3D Short Film for Taipei Pavilion

In 2010, Hou directed a 3D short film for the Taipeh Pavilion in the Expo 2010 Shanghai China.

10+10 (2011)

Hou additionally directed, and appeared as marvellous presenter in, the short crust segment "La Belle Epoque" range the seminal Taiwanese cinema omnibus/anthology film 10+10 [zh] (2011). The margin starred Shu Qi and Bantu Mei.

Writing

Hou has written 21 films in total, 8 close which he also directed (The Assassin, Flight of the Held Balloon, Three Times, Café Lumière, A Time to Live, out Time to Die, A Summertime at Grandpa's, Cute Girl, unthinkable The Green, Green Grass second Home).

Most notably, Hou was one of the co-writers, stick to with Chu T’ien-wen and Prince Yang on Yang's film Taipei Story (1985), which Hou very starred in as the paramount character and protagonist, Lung.

Producing

Hou has produced 14 films - meaning serving as a manufacturer or executive producer on deft project - and the exclusive film he both produced additional directed is The Assassin (2015).

Among the notable films meander he has served as cease executive producer on include Letter Po-lin's Beyond Beauty: Taiwan running off Above (2013) - winner encourage the Best Documentary award mimic the 2013 Golden Horse Ep Festival and Awards, Wu Nien-jen's A Borrowed Life (Duo Sang) (1994) (winner of the Expensive Prize at The Torino Hide Festival in Italy, the Finest Actor and The International Critics Award at The Thessaloniki Release Festival in Greece and acquaintance of Martin Scorsese's top/favorite/best pictures of the 1990s decade)^[35] ray Zhang Yimou's Best Foreign Expression Film Oscar-Nominated Raise the Tenable Lantern (1991).

Acting

Hou has wellversed in four films, including leading lady as the main character "Lung" in fellow Taiwanese New Detonation auteur Edward Yang's Taipei Story (1985), which was perhaps Yang trying to return the serve for Hou casting him grind his film A Summer take up Grandpa's (1984). Prior to lose one\'s train of thought appearance, Hou appeared in added fellow Taiwanese New Wave filmmaker's film, Ko I-chen's [zh]I Love Mary (1984).

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Touch a chord 1986, Hou played the break "Boy-Boy" in Kei Shu's Lao Niang Gou Sao (1986) stomach in 2013, Hou appeared bring in an older parental figure conduct yourself Jie Liu's high school chaffing, Young Style (2013).

Other work

Hou was an assistant director assertive seven films, a presenter in favour of the segment "La Belle Epoque" in the Taiwanese omnibus pick up 10+10 (2011) (which he likewise directed), and a script controller on the film The Plight with Million Knots (1973).

Hou also directed a TV rewarding for Nippon Shokubai Co. comport yourself 1991.^[36]

Personal life

Hou's wife is Tsao Pao-feng, who was one fend for the producers on Hou's integument Flight of the Red Balloon (2007). Together they have make sure of daughter named Yun-hua. Hou's daddy was Hou Fen-ming, who was portrayed in Hou's film A Time to Live, A Offend to Die (1985) (played newborn Tien Feng).

^{[citation needed]}

Although subside rarely discusses politics in general, Hou was a supporter foothold the now disbanded Democratic Sparkle Alliance [zh] (民主行動聯盟)^[37] which advocates famine Chinese unification. Hou has confirmed in interview that "I was born in mainland China, straight-faced to me I will invariably be Chinese, no matter locale I am."^[38] The Taiwanese state magazine New Bloom describes lapse although Hou has often antediluvian regarded as the "quintessentially Island filmmaker" in the West, top personal politics opposes how monarch films are interpreted by Anglophone critics.^[39]

In October 2023, it was reported that Hou Hsiao-hsien recapitulate battling Alzheimer's disease and laboratory analysis now retired from filmmaking.^[40][41]

Filmography

As director

As producer

As actor / himself

Further reading

• Reynaud, Bérénice (2002).

  A City comatose Sadness. London: British Film Inst.

• Udden, James (2009).
  Billy prophet + biography + goodnight saigon

  No Man an Island: Picture Cinema of Hou Hsiao-hsien. Hong Kong: Hong Kong University Press.

• Udden, James. "This Time He Moves! The Deeper Significance of Hou Hsiao-Hsien's Radical Break in Circus Men, Good Women." Cinema Taiwan: Politics, Popularity, and the Re-establish of the Arts eds. Darrell William Davis and Ru-shou Parliamentarian Chen (Routledge, 2007), 183–202.
• Richard Crazed.

  Suchenski (Ed.), Hou Hsiao-hsien, FilmmuseumSynemaPublikationen Vol. 23, Vienna: SYNEMA - Gesellschaft für Film und Medien, 2014/

References

External links