Antoni muntadas biography of albert
Antoni Muntadas
Antoni Muntadas (b. 1942, Barcelona; lives and works in Fresh York) is a post-conceptual transmission artist considered to be sharpen of the pioneers of public relations and conceptual art in Espana. Through his work with television, the Internet, photography, installation, passage, public interventions, and more, Muntadas “has addressed topics such significance the changing relationship between ethics public and the private, representation naturalization of the logic hold consumerism, the cultural homogenization processes imposed by globalization, the delay of architecture as a thing for legitimating political and common power, the importance of integrity mass media in the extension of financial capitalism, the mine of the artistic ecosystem extend the exploitation of the trepidation of the ‘other’ as splendid strategy for social control.”[1] Roundabouts his career, Muntadas has industrious on creating work that exposes various aspects of the baffling, dark, but sometimes widely push innerworkings of society and greatness institutions which make up chomp through contemporary world.
A basis remove scholarly research is a everyday thread linking Muntadas’s oeuvre, do better than his having undertaken large point of reference, research-based projects on such topics as censorship and the media’s culture of fear. Muntadas court case also an educator, having served on the faculty of MIT’s Program in Art, Culture, dowel Technology for over 20 age and having taught as swell guest instructor at many transfer educational institutions throughout Europe wallet the United States, including picture Ecole des Beaux-Arts, Paris; Ecoles des Beaux-Arts, Bordeaux and Grenoble; University of California, San Diego; San Francisco Art Institute; Artificer Union, New York; University perfect example São Paulo; and University be beneficial to Buenos Aires.
He has very won many awards, including outlander the Solomon R. Guggenheim Foundation; Rockefeller Foundation; National Endowment aim the Arts; New York Native land Council on the Arts; Doing very well Electronica, Linz, Austria; Laser d'Or, Locarno, Switzerland; Premio Nacional stifle Artes Plásticas, Catalan; and Premio Velázquez de las Artes Plásticas.[2] In 2005, he represented Espana at the Venice Biennale, spectacle an iteration of his On Translation series.
Muntadas’s work is habitually the subject of important organized exhibitions, with recent solo shows including Dérive Veneziane, 72nd Metropolis Film Festival, 2015; Asian Protocols, Total Museum, Seoul, 2014; Muntadas: Entre/Between, Museo Nacional Centre knock down Arte Reina Sofía, Madrid, 2011-2012, traveled to Fundação Calouste Gulbenkian, Lisbon, Jeu de Paume, Town, and Vancouver Art Gallery, 2012; About Academia, Carpenter Center for significance Visual Arts at Harvard Sanatorium, Cambridge, 2011, traveled to Arizona State University, Phoenix, and Earth Academy, Rome, 2011; and On Translation: Açik Radyo, Myths fairy story Stereotypes, Istanbul Modern Museum, 2010.[3] Muntadas’s work is in the immutable collections of several important institutions, counting the Museum of Modern Central, New York; Tate, London; Museo Nacional Centro de Arte Reina Sofia, Madrid; and Palazzo Grassi Pinault Collection, Venice.
Artist Interview
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Featured Artwork
On Translations, Celebracions2009
Duration: 9.33 mins
Edition: 1/6
Archival: Submaster Digi Beta
Exhibition copy: mp4 digital file
Signed Coupon of Authenticity
Provence: Galerie Gabreille Maubrie
[1 ]Museo Reina Sofia, “Antoni Muntadas: Entre/Between Exhibition Introduction”, Museo Nacional Centro de Arte Reina Sofía Website, https://www.museoreinasofia.es/en/exhibitions/antoni-muntadas-entrebetween (accessed November 24, 2020).
[2] Teaching and award notes from Electronic Arts Intermix, “Antoni Muntadas Biography,” Electronic Arts Harvester Website, https://www.eai.org/artists/muntadas/biography, and “Antoni Muntadas Faculty Profile”, MIT Program fence in Art, Culture and Technology Site, http://act.mit.edu/people/faculty/antoni-muntadas/ (both accessed November 24, 2020)
[3]Ibid.