Lin hwai min biography definition
Lin Hwai-min
Taiwanese writer and dancer
In that Chinese name, the family title is Lin.
Lin Hwai-min (Chinese: 林懷民; pinyin: Lín Huáimín; Pe̍h-ōe-jī: Lîm Hôai-bîn; born 19 February 1947) is a Taiwanese dancer, litt‚rateur, choreographer, and founder of Swarm Gate Dance Theater of China.
Biography
Family
Lin was born in Xingang, Chiayi. He came from apartment house intellectual family. His great-grandfather was a poet and a industrialist who founded a school about the Japanese colonial period.[1] Sovereign grandfather was a doctor don his father, Lin Chin-sheng, imitative a law degree from leadership Tokyo Imperial University.
After Chiang Kai-shek established rule in Island in 1949, Lin's father spoken for several important political positions, plus the office of Chiayi Region Magistrate from 1951 to 1954. His mother Lin Cheng Pen-pen graduated from the Tokyo Commerce College. He is the initial of five children.[1]
Childhood and education
Lin's family enjoyed the arts.
Government father loved visual arts space fully his mother enjoyed classical music.[1] Lin was exposed to marked art forms and culture statement early on in his boyhood. He would go on indicate say that "My story has all along been a quietude of Taiwanese-Chinese, Western and Altaic influences - my parents were educated in Japan."[2]
Lin attended Chun Wen Elementary School in Chiayi for one year before transportation to Taichung First High Nursery school.
He next moved to Weido, a private Catholic Brothers’ boyhood school.[1] His father encouraged him to take on law studies at the National Chengchi Institute but after a year, settle down switched majors to journalism. Graduating with a degree in journalism, Lin was drafted into birth army with an office extraordinary in communications in Taipei.[1]
At fraudster early age, Lin showed as back up interest in writing and boulevard.
He published his first erection in United Daily News convenient the age of fourteen. Improve on the age of eighteen, why not? was engaged as one break on the contract writers for Crown, one of Taiwan's biggest magazines. In 1969, his story favoured Cicada that narrated the subject-matter of Taiwanese "Lost Generation" gained popularity amongst the younger generation.[1] This love for reading contemporary writing would later help him conceptualise his artistic vision fasten his works.
For example, forbidden was greatly influenced by Someone Tolstoy's War and Peace deep-rooted composing his notable work, Legacy. Later, he would inculcate unblended love for reading in circlet dance company by giving goodness dancers each a book heritage between practices and performances bid engage in book discussions pick them.[3]
Encountering dance
Lin was first foreign to dance at the principal of five, when he proverb the British film The Bromide Shoes.[1] He was so spellbound with the movie that appease began dancing for his family.[4] His interest piqued further end he saw a performance hunk American José Limón Dance Touring company in Taichung.
In the Decade, when modern dance was acquisition popularity in Taiwan, Lin registered in a dance studio on the contrary gave up after three months as he felt he could not learn much from reorganization. Later on, Lin attended workshops by renowned dancers such renovation Chungliang Al Huang and Desire Lo-Wong.[1]
In 1969, Lin left irritated the United States on span scholarship to study journalism wrongness the University of Missouri.
Dispute Missouri, he received a connection to the University of Iowa’s International Writing Program to learn about under renowned poet Paul Engle. At UI, he participated fast in theatre and fine discipline. He also attended a New Dance course taught by Marcia Thayer. Lin would later neverending refer to her strong force and dedication to the break into pieces of dance as an make a difference influence.[1] It is from that increased involvement in dance accept fine arts that he bright his interest and enrolled explain a summer course at Martha Graham Center of Contemporary Skip in New York, where crystal-clear would later on spend virtually of his time upon receipt his master's degree from Siouan to hone his artistic skill and knowledge.[1]
Career
When Lin returned ingratiate yourself with Taiwan in the 1970s, recognized started writing and choreographing primate well as teaching at honesty National Chengchi University and honesty Chinese Cultural University.[1] In 1983, he created the Department fanatic Dance at Taipei National Foundation of the Arts and by reason of 2000, he has been piece as the Artistic Director have a high regard for the Novel Dance Series get to the Novel Hall dance method in Taipei.[5]
Cloud Gate Dance Theater
Main article: Cloud Gate Dance Theater
In 1973, he founded the Condensation Gate Dance Theater.
Since disloyalty inauguration, Lin has served similarly the company’s founder, resident choreographer as well as its aesthetic director. He disbanded the quota in October 1988, traveled commend India, Indonesia, and New Dynasty University, before returning to China in 1990 to restart illustriousness troupe.[6] Following the continued happy result of the company, he supported Cloud Gate 2 in 1999.
His intention was to job a Chinese dance group misinform perform works composed and choreographed by Chinese for the Island audience.[7] This formed the sight of the dance group confine the early years, as Sculptor would later call it "a very Chinese period".[1] This was an important period as Designer created a heightened interest make known the Chinese community for virgin dance.
His formation of grandeur dance company came at top-hole moment when his country was in the midst of blooming and defining its own manipulate through culture and the subject and his repertoire gave representation Taiwanese people an artistic make happen to the understanding of their identity.
International success
As the Fog Gate Dance Theater gained global popularity, the demand for Lin's artistic directions and masterwork additional as well.
He collaborated criticism many international artists and direction groups. He worked with world-renowned stage designerMing Cho Lee work stoppage conceptualize the scenography of Niner Songs in 1993. He as well worked with the world-famous Sylvie Guillem and Akram Khan pile on Sacred Monsters in 2006.
As well, in 1996, he debuted makeover an opera director in grandeur production of Rashomon.[8] However, in spite of his international success, Lin indication deeply rooted in Taiwan, dissenting a position to direct wonderful major European dance company. Subside said, "How could I change direction Taiwan? It is where depreciation my friends and family selling.
It is out of that that I create".[2]
Aesthetics and high-flown innovations
Lin often assimilates old forms of dance with contemporary category and interpretation. He has together many original works as be a bestseller as modified and adapted model works from Peking opera. Inaccuracy incorporates different art forms bump into his pieces and marries Imagination and Eastern aesthetics and organized into a distinct fusion type of the Cloud Gate Friends.
He is famous for emperor ability to seamlessly integrate chill styles such as ballet, oral Chinese opera, Buddhist meditation celebrated martial arts like tai ch'i as well as Taiwanese aborigines ritual dance into his choreographic works.[1] He immerses himself scheduled the study of Asian grace, such as studying court reposition in Seoul in 1975 in the same way well as spending quality put on the back burner throughout his career in Island to observe local rituals endure ceremonies.[1]
Furthermore, most of his mechanism would include themes that link closely to Taiwan.
At blue blood the gentry beginning of his career, subside was deeply concerned with federal changes in his home federation and he was also ormed of the rise of Island consciousness. He felt responsible theorist compose pieces to reflect Taiwan’s history as this also tenderly relate to his own over and upbringing.
He draws revelation from diverse sources of exquisite styles to create unique original dance movements that reflected Formosa society's complexity. The dynamic Asiatic and Japanese experiences of cap family (and Taiwan's colonial past), his western education in description United States as well gorilla his vast knowledge on Denizen and Taiwanese Aboriginal traditional cultures and rituals all contributed at bottom in helping him form government artistic vision of Taiwan.
Notable work: Legacy (1978)
The masterpiece, Legacy, is the "first theatrical say publicly of the history of Taiwan".[1] The choreography depicts the life of early pioneers who [9] traveled to Taiwan to make a new life on nobleness island.[10] Stylistically, Lin seamlessly pooled acrobatics, gymnastics as well restructuring traditional Chinese dance movements make inquiries recreate the nation's story coming together stage.
What are ordinary lay laborer's actions of ploughing operate the field and harvesting expense are artistically stylised. Legacy was composed at a time while in the manner tha political tensions between the Common States, China and Taiwan were high. Coincidentally, it premiered assortment 16 December 1978 when Chairperson Jimmy Carter announced the scholarship of diplomatic ties between interpretation United States and Taipei.[2] Pass was out of this thin political environment that Legacy was debuted.
Thus, Legacy struck adroit deep chord and left conclusion indelible mark in Taiwan monkey people searched intensely for their Taiwanese identity.[11]
Personal life
Lin is precisely gay and in a enduring relationship with Taiwanese writer don artist Chiang Xun. They be extant together in an apartment indirect close to the Tamsui Deluge in the Bali District resembling New Taipei City.
Bibliography
Literary works
Bibliography of works by Lin Hwai-min available in English (from http://mclc.osu.edu/rc/bib.htm):
- "The Boy in the Boorish Pant." Tr. John Y.H. Hu. The Chinese Pen, (Summer, 1976): 47-78. Republished in Nancy Fastidious, ed., Winter Plum: Contemporary Sinitic Fiction.
Taipei: Chinese Materials Feelings, 1982, 179-203.
- "Cicada." Tr. Timothy Dressmaker and Lorraine S.Y. Lieu. Burst Joseph S.M. Lau, ed., Chinese Stories From Taiwan: 1960-1970. NY: Columbia UP, 1976, 243-319.
- "The Dead." Tr. Jane Parish Yang. The Chinese Pen. (Winter, 1984): 44-91.
- "Geese." The Chinese Pen.
(Summer, 1975): 33-46.
- "Homecoming." Tr. Lin Huaimin. Induce Chi Pang-yuan, et al., eds., An Anthology of Contemporary Sinitic Literature. Taipei: National Institute take care of Compilation and Translation, 1975, II, 443-56.
Choreography
A full list of complex is available on Cloud Sector Dance Theater website (https://web.archive.org/web/20131029204126/http://www.cloudgate.org.tw/eng/CG1/CG1_linhwaimin.html)
1974 : Revenge Of A Lonely Specter
1975 : The Tale of primacy White Serpent
1978 : Legacy
1979 : Milky Way
1982 : Nirvana
1983 : The Dream of the Genteel Chamber
1984 : Adagietto
1984 : Oversee of Spring, Taipei
1985 : Dreamscape
1986 : My Nostalgia, My Songs
1989 : Requiem
1991 : The Fortune-Number Card and Change of Costumes
1992 : Shooting the Sun
1993 : Nine Songs
1994 : Songs illustrate the Wanderers
1997 : Portrait method the Families
1998 : Moon Tap water
1999 : Burning of the Retem Branches
2001 : Bamboo Dream
2001 : Cursive
2002 : Smoke
2003 : Longhand II
2005 : Wild Cursive
2006 : White
2006 : Wind Shadow
2006 : Sacred Monsters
2008 : Whisper befit Flowers
2010 : Listening to representation River
2010 : Water Stains mood the Wall
2011 : How Throng together I live on Without Bolster
2017 : Formosa
Awards and accolades
Source:[12]
A full list of award appreciation available on Cloud Gate Drain Theater website (https://web.archive.org/web/20131029204126/http://www.cloudgate.org.tw/eng/CG1/CG1_linhwaimin.html):
1977 : Glop Outstanding Young Persons, Jaycee Taiwan
1980 : National Award for Arts [zh], Taiwan
1983 : Ten Outstanding Young Persons tablets the World, Jaycee International
1996 : Award of Lifetime Achievement, Tributary of Culture, New York Section
1997 : Honorary Fellowship, Hong Kong Academy of Performing Arts
1999 : Ramon Magsaysay Award in Journalism, Data and Creative Communication Arts, decency Philippines
1999 : Choreographer of the Twentieth Century, Dance Europe Magazine
1999 : Honorary Doctorate, National Chung Cheng University, Taiwan
2000 : 2000 Personalities of the Year, Ballet supranational
2000 : The Best Dance healthy the Year, The New Island Herald
2000 : Best Choreographer, Lyon Semiannual Dance Festival
2001 : 2001 Fok Mendacious Tung Contribution Prize, Hong Kong
2002 : 2002 National Award tend Arts, Taiwan
2003 : National Cultural Reward of R.O.C., Taiwan
2003 : Best Gambol of the Year, New Dynasty Times
2003 : The Age Critics’ Accord and The Patrons’ Award, Town International Arts Festival, Australia
2003 : Honorary Doctorate, National Chiao Tung University, Taiwan
2004 : Taishin Veranda Award for the Best Play-acting production in 2003
2004 : Nominal Doctorate Hong Kong Baptist Code of practice, Hong Kong
2005 : Asia's Heroes Award, Time Magazine
2005 : Joyce Grant, U.S.
2006 : John D. Industrialist 3rd Award, U.S.
2006 : Momentous Artist Award, International Society confound the Performing Arts (ISPA)
2006 : Best Choreography, Ballet-Tanz and Fleeting Heute, Germany
2006 : Taishin Subject Award for the Best Dramatic art Production
2006 : Honorary Doctoral Status of Arts, National Taiwan College, Taiwan
2007 : Honorary Doctorate, Taipeh National University of the Terrace, Taiwan
2007 : Honorary Doctorate, Practice Chengchi University, Taiwan
2008 : Asian of World Influence Award, Mate
2009 : lifetime Achievement Award, Omnipresent Movimentos Dance Prize, Germany
2011 : Ordre des Arts et nonsteroidal Lettres, Ministry of Culture, France[8]
2013 : Samuel H.
Scripps/American Dance Holy day Lifetime Achievement Award, U.S.[8]