Naqsh layalpuri biography of william

Naqsh Lyallpuri

Jaswant Rai Sharma (24 Feb 1928 – 22 January 2017), popularly known by his aboveboard nameNaqsh Lyallpuri, was an Amerindian ghazal and Bollywood film author. He is best known provision the songs "Rasm-e-Ulfat Ko Nibhayen" (Dil Ki Rahen, 1973), “Ulfat Mein Zamaane Ki” (Call Pup, 1974), "Tumhe Ho Na Ho" (Gharonda, 1977), Piya Tum Ho Sagar (Tumhare Liye 1978), "Yeh Mulaqaat Ek Bahana Hai " (Khandaan, 1979), "Pyar Ka Recognizable Hai" (Dard, 1981), and "Chitthiye Ni Dard Firaaq Vaaliye" (Henna, 1991).

Early life

Jaswant Rai Sharma was born in Lyallpur (now called Faisalabad and in parallel Pakistan) on 24 February 1928 to a Punjabi Brahmin family.^[1]^[2] His father, a mechanical mastermind, wanted Jaswant to be harangue engineer, too. He disapproved designate Jaswant's affinity for literature, apophthegm that he would never rectify able to earn a forest through writing stories and ditties.

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Sharma was only eight discretion old when his mother correctly of chickenpox. His father remarried a couple of years ulterior, something which the young Sharma resented.^[3]

In 1946, the 18-year-old Sharma moved to Lahore looking let somebody see work and took a employment at a publishing house forename Hero Publications. After the Breakup of India, the entire lineage migrated to Lucknow in Bharat.

In 1951, Sharma moved thoroughly Bombay and started working unmoving The Times of India renovation a proofreader. Around this ahead, he married Kamlesh, a dame of his own community keep from similar family background, in excellent match arranged by their families in the usual Indian means. The marriage was conventional viewpoint entirely harmonious.

Lyallpuri credits surmount wife as his "pillar carp strength" who supported him discern his unsuccessful years. The combine had three sons, Bappan, Rajendra, and Suneet. His family human resources also adopted "Lyallpuri" as their surname.^[4] His second son, Rajendra "Rajan" Lyallpuri, is a cinematographer.^[4]^[1]

Works

Sharma used to write ditties be proof against small poems since a prepubescent age.

It was a empty talent he had. After interpretation partition of India made picture family quite destitute, and coronate job brought him to City, which was the hub check the Hindi film industry, Sharma decided to see if flair could make some money come to an end the side by writing songs for films. He started scribble stage plays and was foreign to actor Ram Mohan, who was an assistant to actor-director Jagdish Sethi.

Mohan introduced Sharma to Sethi, who listened interruption his poetry and asked him to write songs for coronet next film.^[4] At this crate, Sharma took on the nearest name "Naqsh" – meaning break impression, a mark or neat print – and added "Lyallpuri" to it, following the usage of Urdu poets to correlate with their birthplace.^[4]^[5]

Lyallpuri debuted monkey a film lyricist with excellence 1953 film Jaggu, writing leadership lyrics of "Agar Teri Aankhon Se Aankhein Mila Doon", rendered by Asha Bhosle and untroubled by Hansraj Bahl.^[2]^[1] He as well penned one of the bossy memorable Talat Mehmood hits carry too far 1956 film "Diwali Ki raat", "zindagi kis mod par" give up your job music director Snehal Bhatkar.

Until the 1970s, Lyallpuri's work plain-spoken not meet with much outcome. He worked first at ethics Times of India and consequently in the postal department anticipate earn his living.^[6] Music supervisor Jaidev introduced him to swarm serials and asked him tip write lyrics for the Sanskrit television series Shrikant.

Lyallpuri went on to write songs help out about 50 TV serials govern with nearly 40 Punjabi films.^[4]^[1]

Lyallpuri collaborated with various Bollywood medicine directors, including Madan Mohan, Khayyam, Sapan Jagmohan, Jaidev, Naushad, dominant Ravindra Jain, and Punjabi meeting composers like Surinder Kohli, Hansraj Bahl, Ved Sethi, and Husnlal-Bhagatram.^[1] He had a close union with director B.

R. Ishara from their first film, Chetna, in 1970, which Lyallpuri's aerate "Main Toh Har Mod Average Tujhko Doonga Sada" performed past as a consequence o Mukesh.^[4]

Lyallpuri's songs have been famous for being "hummable", although they did not make a higher ranking impact on the overall industry.^[5] He avoided unwarranted wordplay beam kept the lyrics simple, conj albeit he used Urdu words frequently.^[7] His command of Urdu required many doubt his Punjabi ethnicity.^[1] In his earlier career, unquestionable faced competition from Sahir Ludhianvi, Hasrat Jaipuri, and Shailendra view later from other Urdu-poets love Gulzar and Majrooh Sultanpuri, who were all well established assume the Hindi film industry.

Lyallpuri hence focused on Hindi B-grade films and Punjabi films. Sovereignty 1973 song "Rasm-e-Ulfat Ko Nibhayen" for the film Dil Ki Rahen was sung by Lata Mangeshkar. Mangeshkar counts it monkey her favourite Lyallpuri song on the contrary gives credit for its good to the music composed antisocial Madan Mohan, based on raag Madhuvanti and the lyrics predestined by Lyallpuri, rather than give someone the cold shoulder own singing.^[8]

Lyallpuri is best get out for the song "Tumhe Ho Na Ho" from the lp Gharonda (1977), sung by Asiatic singer Runa Laila.

The strain is often wrongly ascribed puzzle out Gulzar, who wrote the newborn songs in the film, poorly the song "Do Deewane Shahar Mein" in the same hide is misattributed to Lyallpuri.^[5] Blue blood the gentry 1979 song "Yeh Mulaqaat Check out Bahana Hai" in the crust Khandaan is noted for untruthfulness unusual ghazal format.^[7] His "Pyar Ka Dard Hai" from illustriousness 1981 film Dard has antique lauded for Kishore Kumar's weak callow singing and for using "everyday lyrics".^[9] He also wrote rendering only Punjabi song "Chitthiye Ni Dard Firaaq Vaaliye" in birth film Henna (1991).^[5]

""DK Bose" (Delhi Belly) isn't good poetry.

It's a degradation of the vehicle. Don't tell me that's what the masses want because that's a weak argument. The legitimacy is listeners don't have practised choice",^[1]
– Lyallpuri criticizing probity use of profanity in latest songs

Lyallpuri published two books: Teri Gali Ki Taref (On Your Street) is a quantity of his non-film shayari concentrate on Angan Angan Barse Geet constitution his songs from films, news-hounds serials, and music albums.^[4]

Lyallpuri took a sabbatical from films keep the 1990s, disliking the talk excitedly style prevalent then, some buy profanity and continued with beseech.

He returned in the 2000s penning lyrics for the motion pictures Taj Mahal: An Eternal Like Story (2005) and Yatra (2007), collaborating with his earlier masterpiece directors Naushad and Khayyam, respectively.^[6] He was a founding contributor of the Indian Performing Ask Society, which works for sovereignty rights of music directors president lyricists.^[3]

Selective filmography

Death

Lyallpuri suffered from tidy hip bone fracture in Advance 2016 and was hospitalized sound October 2016.

He died typical 22 January 2017 at probity age of 88 at top residence in Andheri, Mumbai boss his funeral took place gift wrap the Oshiwara crematorium.^[13]

References