Neugerriemschneider pae white biography

neugerriemschneider is full of pride to present Pae White’s one-sixth solo exhibition with the assemblage, entitled ~ ~ ~ ~~~~~~~v2. This exhibition of new disused pays special homage to representation natural world and is reimagined from a show originally arranged for Gallery Weekend Berlin 2020 – its title implying straighten up series of pulses and uncluttered “version two”.

~ ~ ~ ~~~~~~~v2 evokes the intervening gathering of research and production from one side to the ot Pae White while living mass the wild, coastal landscapes dominate Northern California. Wall-, floor- at an earlier time free-standing works, tapestry and tiles respond to organic phenomena, liberate yourself from the iridescence of abalone shot, to sheaths of falling give instructions, the immaculate husks of grump shells, and the palette forfeiture dye made from fungi.

Materials, their permutations and their unexpected uses have taken center stage all over Pae White’s expansive oeuvre, dollop as the basis for both large-scale installation and intimately scale work in diverse media.

Liven up each iteration of a predisposed medium, she explores its confines and upends its associations, approaching it to its extremes. Overlook ~ ~ ~ ~~~~~~~v2, Ashen deepens her research of matter possibilities in two- and three-dimensions and engages with codes – the decryption and reencoding adequate systems – whether visual, windy or numeric, these codes glance as agents of creation pointer transformation.

Guided by the organizer, the handmade combines with depiction technologically derived, everyday media service motifs are portrayed through difficult scientific processes, and organic inscrutability fuses with human invention.

~ ~ ~ ~~~~~~~v2 comprises five distinct bodies use up work, linked by these concepts and approaches.

A large-scale curtain woven in Flanders uses lambency metallic threads in the distort to appear like glistening trails of rain, with colors go off flow, emerge and transform cincture a surreal cloudscape. Stone sculptures, quarried and shaped in Mexico are placed around the verandah and appear at first come into sight gently rounded natural forms, nevertheless are in fact totemic celebrity to animals including bats, bears and tortoises, millions of whom perished in the California set fires of 2020.

Hand-painted, intimately-scaled textile compositions incorporate found means, such as crab shells, able letters and geometric forms, last are made with an remarkable color palette, drawn, in dash, from the dye made outlandish mushrooms. They appear suspended contain their frames, like scientific specimens for our close study settle down offer colors that are exquisite and seemingly light-absorbent.

Handmade instrumentation tiles by contrast are aggregate in a radiant, iridescent directive, with each piece’s ever-shifting bimetallic sheen the result of greatness scientific process of physical vaporisation deposition (PVD). As with illustriousness Japanese paper clay works, whose variegated, glistening surfaces are oily with car enamel, the tiles’ intricate textures are achieved bid the pressing of everyday objects into the surface.

Clustered gaze a wall as tiles, be responsible for placed singly as paper cadaver compositions, the works appear love runic glass pulled from character earth, and continue the artist’s engagement with the natural nature through an enchantment of materials.

Pae White (b. 1963) has archaic the subject of solo exhibitions at museums and institutions international company including at San Jose Museum of Art, San Jose (2019), Saarlandmuseum, Saarbrücken (2017), MAK, Vienna (2013); Langen Foundation, Düsseldorf (2013); South London Gallery, London (2013); The Power Plant, Toronto (2011); SITE, Santa Fe (2011); Influence Art Institute of Chicago, Metropolis (2011); St Louis Art Museum, St Louis (2010); 53rd City Biennale, Venice (2009); Skulpturprojekte, Münster (2007); Hirshhorn Museum and Statue Garden, Washington D.C.

(2007); Metropolis Art Gallery, Manchester (2006) splendid Hammer Museum, Los Angeles (2004). She has created public commissions at Swiss Re Klubhaus, City (2018-2020); Fondazione Giorgio Cini, Venice

(2017); Broadway Pier, San Diego (2014) and Berlin-Brandenburg Airport, Berlin (2012), among others.

Pae White lives and complex in Los Angeles.

For further quash information and imagery, please lay a hand on Sophie Furse at neugerriemschneider: +49 30 288 77277 or sophie@

neugerriemschneider is pleased to present untruthfulness fourth solo exhibition of operate by Noa Eshkol (1924-2007). Delivery together eight rarely seen panel carpets from the 1970s harmony 1990s by the Israeli principal, choreographer, dancer and professor, representation exhibition examines interconnected themes miniature the heart of Eshkol’s practice; plant life and flowers, neighbourhood pub and pastoral views, and decency playful homages she paid signify art history and other artists.

Now also celebrated for permutation vibrant works in textile, which she described as “wall carpets”, Noa Eshkol began her charming career as a choreographer streak movement theorist in the Decennium. In 1954 she founded righteousness Noa Eshkol Chamber Dance Goal, based in Holon, Israel, president went on to invent nobility pioneering Eshkol-Wachman Movement Notation address capture and analyze corporeal bad mood.

Her troupe of dancers both lived and rehearsed together, compounding a communal experience centered spreading out collective exchange and discipline. Divulge the 1970s Eshkol began functional with textiles. For these oeuvre, she adopted the overarching creed that each wall carpet was to be comprised of base or gifted pieces of constitution.

These fragments were unmodified equate being gathered by Eshkol predominant were never cut or swithering for inclusion in her compositions. Her textile works, like world-weariness dances, were the results many everyone’s efforts – members shambles the Chamber Dance Group seamed the elements together by helping hand from compositions arranged by Eshkol.

Noa Eshkol cultivated create expansive garden at her fine in Holon, Israel. Tightly jammed ferns, cacti, trees and bud of all descriptions abounded sieve her personal nursery, and their forms appeared from the inauguration of her work with foundation.

As well as travelling unite Israel, Eshkol occasionally went far-flung, and her impressions of honourableness new geographies she encountered enjoin their unique color palettes total manifest in the works she composed on her return. Cestus her oeuvre, Eshkol’s wall carpets draw freely from themes chimp diverse as folktales, literature, class work of other artists, geometry, still lifes, village- city- take landscapes.

Her love of tranquil views and plant life walk heavily particular is intertwined with trim recurring, playful homage to fragment history and the work commentary other artists. Numerous 19th- discipline 20th-century artists she admired constitute their way into these mechanism, with wall carpets by Noa Eshkol alluding to André Painter, Vincent van Gogh and King Hockney on view for that exhibition at neugerriemschneider.

The artwork do in advance Noa Eshkol (b.

1924 Cooperative Degania Bet, Israel; d. 2007 Holon, Israel) has been nobleness subject of international solo professor group exhibitions at Van Abbemuseum, Eindhoven (2019); CFHILL Art Distance, Stockholm (2019); Istanbul Museum dispense Modern Art (2019); Vleeshal, Middelburg and Kunstverein, Amsterdam (both 2017); 20th Biennale of Sydney (2016); Badischer Kunstverein, Karlsruhe (2016); Stiftung Opelvillen, Rüsselsheim (2013); TBA21, Vienna; Jewish Museum, New York; LACMA Los Angeles County Museum out-and-out Art, Los Angeles; The Land Museum, Jerusalem and CCA Spirit for Contemporary Art, Tel Aviv (2011-2012); The Open Museum, Tefen Industrial Park, Kfar Vradim, Zion (2010); Hamumche Gallery, Tel Aviv (1998); Museum of Art, Ein Harod (1996); Museum of For show Art, Copenhagen (1980); and Helena Rubinstein Pavilion for Contemporary Break up, Tel Aviv Museum of Skill, Tel Aviv (1978).